A couple of 24” x 18” abstract oil paintings.

 I have enjoyed a new style of oil painting.  I discovered a free app called FacePixelator. It helps to organize a photo into a grid of 32 x 32 squares.  Each square being 3/4” makes a 24” x 24” painting.  

 This past winter, during the hibernation period, Robin and I enjoyed making needlepoint pillows (16” x 16”).

Ancestry

 

The old photos in the shoeboxes at my Grandmother’s house and the old stories that my uncle told me at Christmas celebrations never really explained who my relatives were.  So when I spit in the test tube and waited for my test results to come back I couldn’t know what to expect.  My best guess was based on the derivation of my last name and my Mother’s maiden name (Ciszewski).  Also, blue eyes and sandy blond hair as a child were clues.

29% Poland & Lithuania, 25% England, 20% Baltics, 15% Sweden & Denmark, 6% Scotland, 3% Ireland, 1% Norway and 1% Jewish.

Unremarkable but interesting to know my ancestors crossed the Atlantic Ocean to get here.  I gratefully acknowledge (thank) the Native American people on whose ancestral homelands we live on as well as the diverse and vibrant native communities who make their home here today.

Mn Artists | Arts Writing from Mn, Beyond Mn

Jan 30, 2023 — Discover a captivating painting made out of blue and white tiles depicting a boat on Lake Superior by artist Richard Stryker.

“Flat Earth”

 

Photo from the shoebox

 Robin Lou, Wayne Curry, Rea Lou and Amy Fern

“The Center Holds”

 The Center Holds” refers to a phrase used in a poem “The Second Coming” by William Butler Yeats. In the poem the line says “ the center cannot hold” to express a sense of societal breakdown and chaos. The poem is known for its pessimistic tone. In contrast, “the center holds” is a hopeful phrase that suggests that despite the challenges of societal unrest, there is a core of stability and unity that remains intact.  Three stages in development of the 24” x 24”, oil on canvas painting.

The Calling by Andy Scott in St. Paul, Minnesota

 

Opening Reception

The opening reception was fun.  My nicely framed paintings are $400 - $500.  The show is up until 9/27 at St. Paul Academy.  

ARTIST BIO After graduating from SPA in 1968, Richard Stryker anxiously enrolled in a summer school class at the Minneapolis College of Art and Design. After completing his first art class, with some pretense, he identified himself as an artist. He continued studying Art and Art History at Colorado College (Tim Saska), the University of Minnesota (David Feinberg), and MCAD (James Burpee). He also enjoyed learning about plein air painting techniques from Brian Stewart in Grand Marais, Minnesota. Painting became a lifelong hobby for Richard. Time spent at the easel always felt like a healthy vacation from work. He enjoyed employment with the Minnesota Historical Society for over thirty-two years doing building and grounds maintenance. And, in retirement, he finds joy in extra time for painting. Recently Richard has been working on a “practice painting people project”. He has completed and gifted over 140 14” x 11” portraits of interesting people he has met. He continues to enjoy the challenge and excitement of starting a new portrait, hoping to make improvements ALUMNI/AE ART SHOW Sept. 6 - 27, 2024 Gallery Hours 8am - 6pm 1712 Randolph Ave., St. Paul "City Seagull", 24" x 20", oil on canvas, $500

A Z Gallery has changed it's name to Burl Gallery in Lowertown St. Paul. Its first show is "Rejected". 70 artists who were not accepted into the annual Minnesota State Fair Fine Arts Exhibit. My contrbution is "Out of the Blue" (24" x 18", oil on canvas, $500).

A new painting (16" x 20", oil on canvas).

Thaddeus received a yellow ribbon for his needlepoint pillow at the Minnesota State Fair.

"Lost My Bearings", 30" x 30", oil on canvas.

An abstract painting can be about how it looks and how it makes you feel. I started the painting with horizontal and vertical tracks. It felt like it could represent a woven textile or city road grid. The spheres added a feeling of motion. I felt the spheres could represent train wheels. I thought of the phase “going off the rails.” I finished the painting feeling it had gone from orderly to chaotic.

Van Gogh and the Olive Groves at the Minneapolis Institute of Arts.